A design like Big Mushroom is something that comes out of time and the period in which the project was born. The design is large, soft, comfortable and highly inviting. Big Mushroom is a model that captures the attention and makes you want to curl up and enjoy it to the fullest. Subtle, organic and explicit, this great 'Mushroom' positively bursts into the design of the whole world as an extemporaneous and ageless object.

Inspired by the Monstera model. The designer Philip Ahlström, inspired by the feeling of flora and the famous Monstera leaf, creates this shiny chair with an inimitable design. The project, absolutely contemporary and alive, makes the chair a real art object based on futurism and naturalism, where art and nature merge into pure modernity.

The sculptural line of the Corona Chair by Poul Volther presents a unique and inimitable style. Volther designed this chair with a series of oval cushions that allow different positions to relax. The project was realized in 1961 and this interesting piece of furniture takes inspiration from some photos of solar eclipses. It also refers to the first design by Volther, which was based on the use of cushions, separated to emphasize the lack of materials available during the Second World War. This beautiful chair brings with it originality and comfort, a perfect mix in any modern and contemporary environment.

La Tabano Chair è una sedia progettata per il comfort e l'eleganza della casa. Le sue linee sinuose e gli ampi volumi del sedile e dello schienale creano libertà di espressione e raffinatezza. Le grandi orecchie nascono dall'esigenza di soddisfare i criteri funzionali e, quindi, il comfort che va oltre l'estetica. Le finiture possono variare nelle due parti, con l'esterno teso e il lato interno rilassato. La parte interna e la parte esterna della sedia sono ben definite, unite da una cerniera che corre lungo tutto il perimetro con finiture che prevedono anche un gioco di contrasti. Non dimentichiamo il poggiapiedi che ha una forma ovale e le fodere rivestite che ricordano quelle del sedile.

Aki is the result of a long process of development to create a versatile armchair that is at the same time unique in its kind and able to integrate even the most classic sofas. This seat is a real celebration of softness and formal elegance. Aki can radically change its appearance: from a single color, to an extremely bright or subtly elegant style to an elegant and refined total black.

The chair is inspired by the Brno Chair model. The Brno Chair is a modern cantilever chair designed by Ludwig Mies van der Rohe and Lilly Reich in 1929-1930 for the bedroom of the Tugendhat House in Brno, Czech Republic. The Brno Chair has become a classic of modern furniture. The project was born with very clean lines, with a steel frame in one piece, folded in the shape of C from the center of the back, around the front edge of the seat (to create the arms), and back under the seat to create a cantilever, with round seat and back covered in leather. There are two versions of the chair, one in flat steel and the other in tubular steel. The metal was originally made of polished stainless steel; some modern examples are chromed.

The model is inspired by The Barcelona Bench. The Barcelona Bench (two seat) was designed by the architect designer Mies Van der Rohe. This historic bench is a furnishing item that expresses refinement, elegance, class and comfort. It was designed in 1929 as a furnishing accessory for the German pavilion at the International Exhibition held in Barcelona. The pieces of this series would be used by the royal Spaniards for the memorial party of the palace, and they would have to act as a "throne". The design is direct and essential and follows the design line that Van der Rohe held throughout his career. The mix of fine leather and sparkling metal is perfect for any type of furniture and shows a particular elegance.

The Stool is inspired by the Ottoman Barcelona model. The Ottoman Barcelona (two seat) was designed by the architect-designer Mies Van der Rohe. This Ottoman historian is a furnishing item that expresses refinement, elegance, class and comfort. It was designed in 1929 as a furnishing accessory for the German pavilion at the International Exhibition held in Barcelona. The pieces of this series would be used by the royal Spaniards for the memorial party of the palace, and they would have to act as a "throne". The design is direct and essential and follows the design line that Van der Rohe held throughout his career. The mix of fine leather and sparkling metal is perfect for any type of furniture and shows a particular elegance.

The Ottoman Barcelona (one seat) was designed by the architect-designer Mies Van der Rohe. This Ottoman historian is a furnishing item that expresses refinement, elegance, class and comfort. It was designed in 1929 as a furnishing accessory for the German pavilion at the International Exhibition held in Barcelona. The pieces of this series would be used by the royal Spaniards for the memorial party of the palace, and they would have to act as a "throne". The design is direct and essential and follows the design line that Van der Rohe held throughout his career. The mix of fine leather and sparkling metal is perfect for any type of furniture and shows a particular elegance.

The Shrimp chair is an ultra-modern design that will surely become a contemporary classic. The intimacy in the shape of an egg is protected by a beautiful wooden exoskeleton. Inspired by natural marine life, the Shrimp chair offers a wonderful organic sensation. The matt chrome base offers a touch of style to the already unique look.

The Felt Chair was designed by Marc Newson for the acclaimed Italian design house Cappellini. This chair expresses all the creativity and genius of Marc Newson, who created a unique and functional project for any home. The chair, produced in fiberglass, is available in a wide range of colors, therefore able to adapt to any type of interior architecture.

The Chair is inspired by Sort Lobster Shelley Chair. This chair expresses the best of Danish creativity. The structure is made of a protective wooden shell, with a rivet in leather or imitation leather inside. The seat adapts perfectly to the person, embracing it in a cloud of unrivaled relaxation and comfort. The chair is an icon of elegance and design that adapts to any type of environment, from the most sophisticated to the most casual and informal.

The Chair is inspired by the Pelican Chair model. The Pelican armchair is an exceptional seat that stands out for its enveloping and particular back with rounded and soft shapes. The porgetto was made almost 80 years ago by Finn Juhl and is part of a series of products created by the Danish designer for an exhibition. With its captivating and particular design, the Pelican chair is still today a splendid and current design object inspired by the "free art" of the modern era.

Farg and Blanche created the Emily chair for dining or conference tables. The back of the chair creates curves around the seat to form the arms. The padding is quilted in divided sections that give life to a simple but elegant pattern on both sides of the back support. The legs in solid ash come out of the stuffing from the short sleeves of material under the seat. Its essential and elegant design combined with simplicity make the Emily chair a fragment of history in contemporary and modern design.

The him-her chair designs are made on the figure of a man and on that of a woman The polyethylene with which they are made makes them even suitable for outdoor use, as they are solid and resistant chairs. The two naked bodies are harmonious and elegant models of seduction. Him and Her are furnishings loaded with a high cultural reach, yet they are not burdened. These chairs are a particular icon of contemporary design where the cultural aspect joins the formal one, in a perfect mix between harmoniousness and plastic elegance.

Eileen Gray designs this chair inspired by the famous "little man Michelin" of the inflated tires "Bibendum", which remains the Michelin brand. Gray often joked that this was his response as a feminist to Le Corbusier's Grand Confort. The base of the chair is in glossy chromed tubular steel. The seat, the backrest and the armrests are completely covered in eco-leather or leather of various colors.

The Tulip Chair has been project to counter the "ugly, confusing, restless world" under chairs and tables, represented in particular by their legs. He therefore leads a long design investigation that lasts about five years which leads him to the revolutionary Pedestal collection which includes the Tulip chair. The chair is a classic design icon and is characterized by the famous goblet shape with a single central stem for the base.

The Tomato Chair at first glance seems complicated, but in reality, after careful analysis, there is a perfect combination of three circles with the same diameter, two of which are armrests, one extended on a comfortable back and even a fourth semi-circle facing downwards which gives the chair a consequent place. All these features define the Tomato Chair no longer as a chair but rather as a modern sculpture of absolute charm and modernity.

The design of the Bubble chair was created for the first time in 1968 and features a transparent bubble seat suspended from a stainless steel support. Inside the bubble there are luxurious ideals for relaxation or to meditate in complete isolation. The project is designed to exclude sound and is designed to create privacy and comfort. Bubble Chair is a classic of modern design that creates an immediate impact in the home environment, immediately giving a touch of modernity and elegance.

The Eyeball has an unconventional shape and construction, perfect for soundproofing, for sitting or reading a book. Its similar shape is similar to a room and the padded interiors cancel most of the outside noise, offering an isolated and relaxing environment, ideal for meditation or simply to get away from it all. The design of this chair represents a global icon of modern design. The wide choice of colors is suitable for every formal need of your environment.

This class chair is an inspiration of the project by Eero Aarnio. The shell of this Pod chair is designed to comfortably accommodate a person. Its glass fiber frame enriches the appeal of the project and makes it even more pleasant and captivating, increasing its rigidity and durability over time. The soft seat, available in eco-leather and leather, adds further comfort. This splendid is perfect in the living rooms of every modern home but it also features perfectly in theaters, hotel halls and in all the sophisticated and elegant environments.

The Formula Chair, slightly swinging back and forth, is perfect for a comfortable and relaxing session. The idea of the project is easy: "Looking at a Formula 1 car from the top there are two very large" armrests "on both sides of the driver, and looking at one side there is a high headrest. the wheels, what remains is clearly a FORMULA One chair. " The Formula Chair is made of fiberglass and is available in different colors.

The chair is inspired by the Ball model. The Ball Chair, despite having an absolutely futuristic design, was created back in 1963. Its exceptional shape is the result of a perfect mix of size and formal balance. Aarnio begins the construction of the chair in 1962 in the living room of the house. The Aarnio family, just moved into a new house, needed a chair that was large, comfortable and elegant, so Eero Aarnio designed the Ball Chair. He began by designing a normal chair and as the project simplified the shape, it was slowly reduced to a sphere. The designer then hung a one-by-one drawing on the wall and began to imagine how he would find himself inside the armchair. He therefore pretended to sit down and his wife marked the position of her head with a pencil so that she could determine the height of the seat. The project went ahead and the other measures, by virtue of the circular form, came as a result. The Ball Chair is certainly one of the major icons of modern design and is still a unique and inimitable piece perfect for any modern furniture thanks to the wide choice of colors available.

Its sculptural design, ideal for a reading armchair, was a vanguard project. Unfortunately, for reasons related to manufacturing techniques, the chair never went into production. Only after 1950 it was possible to mass-produce and market shells of organic form, such as those of the famous Plastic Armchair by Charles and Ray Eames or the Saarinen Tulip Chair.

The 'chaise' is made following essential shapes that create a curved seat and an oval footrest. The rusiltato of all this is a light line that is imposed in space for great expressive force. The seat is made of thermoplastic material with rotational technique. It adapts perfectly to a living area, a sleeping area and even an exterior. The seat is completed by a beautiful oval footrest that invites you to a more relaxing position and that can also live alone as a pouf.

The 'Eiffel Tower' base of the DSR (Dining Height Side Chair Rod Base) chair, an intricate and graceful construction in steel wire, combines light and elegant shapes with a structural resistance. The organic-shaped plastic seat is available in various colors and coating options, allowing this classic Charles and Ray Eames badge to adapt to a wide range of individual needs and preferences.

The model is inspired by DAW and RAR design. The most popular items in the Eames range, designed during the 1950s, include DSW (Dining Side Wood), DSR (Eiffel Side Rod), DAW (Dining Armchair Wooden) and RAR (Rocking Armchair Rod). The Eames chairs have an unmatched and immediately recognizable appeal. They are designed with comfort in mind and offer a perfect, timeless mix of form and function, between lightness and elegance. The Eames are still considered among the most influential figures in modern design.

The DAR chair (Dining Height Armchair Rod Base) stands out from the others for an unmistakable classic design that combines elegant shapes, light and structural strength in the complex formation in steel wire of its base called "Eiffel Tower", inspired by the famous Parisian icon. Available in many different color combination. You can customize the chair.

This rocking chair is molded in colored plastic and sits atop an innovative chrome-plated wire base and two arched maple beams that provide its delicate movement. The design of the seat is perfect for any type of environment and is perfectly suited to the daily lifestyle of all families.

The architects and designers Charles and Ray Eames designed La Chaise in 1948 for a competition at the Museum of Modern Art in New York, inspired by "FigureFloating", a sculpture by Gaston Lachaise.
La Chaise is a real "sitting sculpture" of great elegance and sinuosity, which allows numerous sitting positions depending on the different angles and inclinations of the posture. Its structure, of organic inspiration, creates sinuous lines and curves that determine a space of movement through which the viewer loses his gaze, imagining to move through the chair. The chair has long been established as a "classic icon" of organic and modern design.

The Beetle Stool follows the same creative concepts as the Beetle Lounge Chair. The characteristics are a generous and slender silhouette with and a comfortable design. Also the Beetle Stool reinterprets in an abstract way the fundamental and characteristic elements of the beetles: the shells, the shape, the stitches, the external rigid and the soft indoor.

The chair is inspired by the Beetle Lounge Chair. The Beetle Lounge Chair features a generous silhouette and a comfortable design. The armchair is a perfect icon for the design of a modern home. The design of the Beetle Lounge Chair reinterprets in an abstract way the fundamental and characteristic elements of the beetles: the shells, the shape, the stitches, the external rigid and the soft inside. The Beetle Lounge Chair, thanks to the wide range of colors, is ideal for creating an interior that matches your tastes and needs.

The SWAN Chair was created in 1958 by the legendary Danish architect and designer Arne Jacobsen for the lobby of the prestigious Radisson Royal Hotel (formerly SAS Royal Hotel) in Copenhagen. Conceived alongside the equally iconic Egg Chair, it was part of Jacobsen’s last and most groundbreaking collection. Free of any straight lines, the Swan Chair’s design features only smooth, flowing curves, evoking the sensuality and organic grace of the human form. Its bold, sculptural silhouette was revolutionary at the time and continues to captivate architects and designers worldwide. Perfect for: Luxury hotel lobbies and executive suites, Modern residential interiors and showrooms, Design museums, studios, and collector spaces.

It is distinguished by its welcoming lines and its high backrest that create a shell, in fact an 'egg', inside which one feels protected from the eyes and protected. Chair egg is a chair designed by Arne Jacobsen in 1958 for the Radisson hotel in Copenhagen, Denmark. The chair was created according to the typical Jacobsen style ie using modern materials. The chair, which was an innovative revolution for that era, is made of a fiberglass cast structure with a polyurethane foam padding. The coating is then applied and laid on the structure assuming a perfect and sinuous shape.

It is distinguished by its welcoming lines and its high backrest that create a shell, in fact an 'egg', inside which one feels protected from the eyes and protected. The chair is a chair designed by Arne Jacobsen in 1958 for the Radisson hotel in Copenhagen, Denmark. The chair was created according to the typical Jacobsen style ie using modern materials. The chair, which was an innovative revolution for that era, is made of a fiberglass cast structure with a polyurethane foam padding. The coating is then applied and laid on the structure assuming a perfect and sinuous shape.

It is distinguished by its welcoming lines and its high backrest that create a shell, in fact an 'egg', inside which one feels protected from the eyes and protected. Egg chair is a chair designed by Arne Jacobsen in 1958 for the Radisson hotel in Copenhagen, Denmark. The chair was created according to the typical Jacobsen style ie using modern materials. The chair, which was an innovative revolution for that era, is made of a fiberglass cast structure with a polyurethane foam padding. The coating is then applied and laid on the structure assuming a perfect and sinuous shape.