
MADRID Materials-Velvets, Velvets - Colors-V-001, Metallic Finishes-Acciaio bianco
- -15%
Active filters
The Beetle Stool follows the same creative concepts as the Beetle Lounge Chair. The characteristics are a generous and slender silhouette with and a comfortable design. Also the Beetle Stool reinterprets in an abstract way the fundamental and characteristic elements of the beetles: the shells, the shape, the stitches, the external rigid and the soft indoor.
The Beetle Stool follows the same creative concepts as the Beetle Lounge Chair. The characteristics are a generous and slender silhouette with and a comfortable design. Also the Beetle Stool reinterprets in an abstract way the fundamental and characteristic elements of the beetles: the shells, the shape, the stitches, the external rigid and the soft indoor.
Inspired by the natural form of the beetle, the Beetle Lounge Chair reinterprets its distinctive characteristics—curved shell, structural stitching, and contrast between a hard outer frame and a soft, cushioned interior—in a refined, modern language. Its generous silhouette, smooth lines, and exceptional comfort make it an ideal icon of contemporary interior design, perfectly suited for modern homes, luxury lounges, or creative workspaces. The enveloping seat and backrest are ergonomically shaped, offering a harmonious blend of form and function. Thanks to its wide range of available colors and materials, the Beetle Lounge Chair can be fully customized to suit your personal taste or align with a project’s unique aesthetic, making it a favorite among architects and interior designers in Dubai, Doha, Riyadh, and beyond.
Inspired by the natural form of the beetle, the Beetle Lounge Chair reinterprets its distinctive characteristics—curved shell, structural stitching, and contrast between a hard outer frame and a soft, cushioned interior—in a refined, modern language. Its generous silhouette, smooth lines, and exceptional comfort make it an ideal icon of contemporary interior design, perfectly suited for modern homes, luxury lounges, or creative workspaces. The enveloping seat and backrest are ergonomically shaped, offering a harmonious blend of form and function. Thanks to its wide range of available colors and materials, the Beetle Lounge Chair can be fully customized to suit your personal taste or align with a project’s unique aesthetic, making it a favorite among architects and interior designers in Dubai, Doha, Riyadh, and beyond.
The Swan Chair was created in 1958 by legendary Danish architect Arne Jacobsen for the lobby of the Radisson Royal Hotel (formerly SAS Royal Hotel) in Copenhagen. Designed alongside the famous Egg Chair, it marked one of Jacobsen’s most groundbreaking collections—an enduring symbol of mid-century modern design. Characterized by the absence of straight lines, the Swan Chair consists entirely of fluid, organic curves that mimic the elegance of the human form. Its bold, sculptural silhouette was a revolutionary statement at the time and remains an icon of modern design, widely celebrated by interior designers, architects, and collectors. Whether in a luxury hotel lobby, an executive suite, a designer showroom, or a private residence, the Swan Chair brings timeless sophistication and artistic presence to any interior space.
The Swan Chair was created in 1958 by legendary Danish architect Arne Jacobsen for the lobby of the Radisson Royal Hotel (formerly SAS Royal Hotel) in Copenhagen. Designed alongside the famous Egg Chair, it marked one of Jacobsen’s most groundbreaking collections—an enduring symbol of mid-century modern design. Characterized by the absence of straight lines, the Swan Chair consists entirely of fluid, organic curves that mimic the elegance of the human form. Its bold, sculptural silhouette was a revolutionary statement at the time and remains an icon of modern design, widely celebrated by interior designers, architects, and collectors. Whether in a luxury hotel lobby, an executive suite, a designer showroom, or a private residence, the Swan Chair brings timeless sophistication and artistic presence to any interior space.
The Egg Chair is distinguished by its inviting curves and tall, enveloping backrest, which together form a protective shell—an “egg”—that offers a sense of privacy and comfort. The design allows the user to feel both shielded from view and gently embraced by its sculptural form. Originally created by Arne Jacobsen in 1958 for the Radisson Hotel in Copenhagen, the chair reflects his commitment to innovation and modernism. True to Jacobsen’s design philosophy, it was one of the first chairs to utilize modern materials and industrial techniques in such an expressive form. Its structure is composed of a molded fiberglass shell, padded with polyurethane foam for exceptional comfort. The upholstery—whether in fabric or leather—is meticulously applied to follow the chair’s organic, sinuous silhouette, resulting in a seamless blend of form and function.
The Egg Chair is distinguished by its inviting curves and tall, enveloping backrest, which together form a protective shell—an “egg”—that offers a sense of privacy and comfort. The design allows the user to feel both shielded from view and gently embraced by its sculptural form. Originally created by Arne Jacobsen in 1958 for the Radisson Hotel in Copenhagen, the chair reflects his commitment to innovation and modernism. True to Jacobsen’s design philosophy, it was one of the first chairs to utilize modern materials and industrial techniques in such an expressive form. Its structure is composed of a molded fiberglass shell, padded with polyurethane foam for exceptional comfort. The upholstery—whether in fabric or leather—is meticulously applied to follow the chair’s organic, sinuous silhouette, resulting in a seamless blend of form and function.
The Egg Chair stands out for its welcoming, enveloping lines and its tall, curved backrest, which together form a protective shell—an “egg”—that offers a sense of privacy and comfort. Sitting in it feels like being gently hidden from view, wrapped in elegance and design. Originally designed in 1958 by Arne Jacobsen for the Radisson Hotel in Copenhagen, the chair was a revolutionary innovation in the world of furniture design. Created in line with Jacobsen’s modernist vision, it introduced new production techniques and materials to the market. Its structure is formed by a molded fiberglass shell, filled with polyurethane foam padding, and finished with a seamless layer of fabric or leather upholstery. The result is a piece with fluid, sinuous lines and a sculptural presence—one that remains an enduring symbol of mid-century Scandinavian design. Perfect for architects, interior designers, and high-end projects in Dubai, Doha, or Riyadh, the Egg Chair fits effortlessly into luxury living rooms, hotel lobbies, design offices, or artistic interiors.
The Egg Chair stands out for its welcoming, enveloping lines and its tall, curved backrest, which together form a protective shell—an “egg”—that offers a sense of privacy and comfort. Sitting in it feels like being gently hidden from view, wrapped in elegance and design. Originally designed in 1958 by Arne Jacobsen for the Radisson Hotel in Copenhagen, the chair was a revolutionary innovation in the world of furniture design. Created in line with Jacobsen’s modernist vision, it introduced new production techniques and materials to the market. Its structure is formed by a molded fiberglass shell, filled with polyurethane foam padding, and finished with a seamless layer of fabric or leather upholstery. The result is a piece with fluid, sinuous lines and a sculptural presence—one that remains an enduring symbol of mid-century Scandinavian design. Perfect for architects, interior designers, and high-end projects in Dubai, Doha, or Riyadh, the Egg Chair fits effortlessly into luxury living rooms, hotel lobbies, design offices, or artistic interiors.
The Egg Chair is an icon of 20th-century modern design, created in 1958 by Arne Jacobsen for the Radisson Hotel in Copenhagen. Characterized by its enveloping lines and high curved backrest, it forms a shell—an “egg”—that offers both privacy and comfort, wrapping the user in an intimate, protected space. This revolutionary design introduced a new way of shaping furniture using modern materials and sculptural form. The chair features a fiberglass shell structure, padded with polyurethane foam, and upholstered in fabric or leather that seamlessly follows the curves of the body, offering both ergonomic support and aesthetic elegance. Perfect for luxury interiors, design offices, boutique hotels, or architectural lounges, the Egg Chair remains a timeless piece appreciated by architects and designers across Dubai, Doha, Riyadh, and beyond.
The Egg Chair is an icon of 20th-century modern design, created in 1958 by Arne Jacobsen for the Radisson Hotel in Copenhagen. Characterized by its enveloping lines and high curved backrest, it forms a shell—an “egg”—that offers both privacy and comfort, wrapping the user in an intimate, protected space. This revolutionary design introduced a new way of shaping furniture using modern materials and sculptural form. The chair features a fiberglass shell structure, padded with polyurethane foam, and upholstered in fabric or leather that seamlessly follows the curves of the body, offering both ergonomic support and aesthetic elegance. Perfect for luxury interiors, design offices, boutique hotels, or architectural lounges, the Egg Chair remains a timeless piece appreciated by architects and designers across Dubai, Doha, Riyadh, and beyond.
This sculptural bench is a masterclass in the interplay of curved geometry, subtractive form, and intentional voids. The design explores complex contours and softened angles, striking a balance between fluidity and structure. Every curve is deliberate, every negative space carefully carved—none of it accidental, none of it empty. The silhouette evokes traditional sculpture, yet reimagined through a modern lens, where the space that is taken away becomes as meaningful as the form that remains. This bench isn’t just seating—it’s a spatial composition, a statement of architectural elegance and artistic restraint. "You cannot say that the space found is not space. In reality, it is chosen very carefully."
This sculptural bench is a masterclass in the interplay of curved geometry, subtractive form, and intentional voids. The design explores complex contours and softened angles, striking a balance between fluidity and structure. Every curve is deliberate, every negative space carefully carved—none of it accidental, none of it empty. The silhouette evokes traditional sculpture, yet reimagined through a modern lens, where the space that is taken away becomes as meaningful as the form that remains. This bench isn’t just seating—it’s a spatial composition, a statement of architectural elegance and artistic restraint. "You cannot say that the space found is not space. In reality, it is chosen very carefully."