
MADRID Materials-Velvets, Velvets - Colors-V-001, Metallic Finishes-Acciaio bianco
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The Egg Chair is an icon of 20th-century modern design, created in 1958 by Arne Jacobsen for the Radisson Hotel in Copenhagen. Characterized by its enveloping lines and high curved backrest, it forms a shell—an “egg”—that offers both privacy and comfort, wrapping the user in an intimate, protected space. This revolutionary design introduced a new way of shaping furniture using modern materials and sculptural form. The chair features a fiberglass shell structure, padded with polyurethane foam, and upholstered in fabric or leather that seamlessly follows the curves of the body, offering both ergonomic support and aesthetic elegance. Perfect for luxury interiors, design offices, boutique hotels, or architectural lounges, the Egg Chair remains a timeless piece appreciated by architects and designers across Dubai, Doha, Riyadh, and beyond.
The Egg Chair is an icon of 20th-century modern design, created in 1958 by Arne Jacobsen for the Radisson Hotel in Copenhagen. Characterized by its enveloping lines and high curved backrest, it forms a shell—an “egg”—that offers both privacy and comfort, wrapping the user in an intimate, protected space. This revolutionary design introduced a new way of shaping furniture using modern materials and sculptural form. The chair features a fiberglass shell structure, padded with polyurethane foam, and upholstered in fabric or leather that seamlessly follows the curves of the body, offering both ergonomic support and aesthetic elegance. Perfect for luxury interiors, design offices, boutique hotels, or architectural lounges, the Egg Chair remains a timeless piece appreciated by architects and designers across Dubai, Doha, Riyadh, and beyond.
This sculptural bench is a masterclass in the interplay of curved geometry, subtractive form, and intentional voids. The design explores complex contours and softened angles, striking a balance between fluidity and structure. Every curve is deliberate, every negative space carefully carved—none of it accidental, none of it empty. The silhouette evokes traditional sculpture, yet reimagined through a modern lens, where the space that is taken away becomes as meaningful as the form that remains. This bench isn’t just seating—it’s a spatial composition, a statement of architectural elegance and artistic restraint. "You cannot say that the space found is not space. In reality, it is chosen very carefully."
This sculptural bench is a masterclass in the interplay of curved geometry, subtractive form, and intentional voids. The design explores complex contours and softened angles, striking a balance between fluidity and structure. Every curve is deliberate, every negative space carefully carved—none of it accidental, none of it empty. The silhouette evokes traditional sculpture, yet reimagined through a modern lens, where the space that is taken away becomes as meaningful as the form that remains. This bench isn’t just seating—it’s a spatial composition, a statement of architectural elegance and artistic restraint. "You cannot say that the space found is not space. In reality, it is chosen very carefully."