This class chair is an inspiration of the project by Eero Aarnio. The shell of this Pod chair is designed to comfortably accommodate a person. Its glass fiber frame enriches the appeal of the project and makes it even more pleasant and captivating, increasing its rigidity and durability over time. The soft seat, available in eco-leather and leather, adds further comfort. This splendid is perfect in the living rooms of every modern home but it also features perfectly in theaters, hotel halls and in all the sophisticated and elegant environments.

The Formula Chair, slightly swinging back and forth, is perfect for a comfortable and relaxing session. The idea of the project is easy: "Looking at a Formula 1 car from the top there are two very large" armrests "on both sides of the driver, and looking at one side there is a high headrest. the wheels, what remains is clearly a FORMULA One chair. " The Formula Chair is made of fiberglass and is available in different colors.

The chair is inspired by the Ball model. The Ball Chair, despite having an absolutely futuristic design, was created back in 1963. Its exceptional shape is the result of a perfect mix of size and formal balance. Aarnio begins the construction of the chair in 1962 in the living room of the house. The Aarnio family, just moved into a new house, needed a chair that was large, comfortable and elegant, so Eero Aarnio designed the Ball Chair. He began by designing a normal chair and as the project simplified the shape, it was slowly reduced to a sphere. The designer then hung a one-by-one drawing on the wall and began to imagine how he would find himself inside the armchair. He therefore pretended to sit down and his wife marked the position of her head with a pencil so that she could determine the height of the seat. The project went ahead and the other measures, by virtue of the circular form, came as a result. The Ball Chair is certainly one of the major icons of modern design and is still a unique and inimitable piece perfect for any modern furniture thanks to the wide choice of colors available.

Its sculptural design, ideal for a reading armchair, was a vanguard project. Unfortunately, for reasons related to manufacturing techniques, the chair never went into production. Only after 1950 it was possible to mass-produce and market shells of organic form, such as those of the famous Plastic Armchair by Charles and Ray Eames or the Saarinen Tulip Chair.

The 'chaise' is made following essential shapes that create a curved seat and an oval footrest. The rusiltato of all this is a light line that is imposed in space for great expressive force. The seat is made of thermoplastic material with rotational technique. It adapts perfectly to a living area, a sleeping area and even an exterior. The seat is completed by a beautiful oval footrest that invites you to a more relaxing position and that can also live alone as a pouf.

The 'Eiffel Tower' base of the DSR (Dining Height Side Chair Rod Base) chair, an intricate and graceful construction in steel wire, combines light and elegant shapes with a structural resistance. The organic-shaped plastic seat is available in various colors and coating options, allowing this classic Charles and Ray Eames badge to adapt to a wide range of individual needs and preferences.

The model is inspired by DAW and RAR design. The most popular items in the Eames range, designed during the 1950s, include DSW (Dining Side Wood), DSR (Eiffel Side Rod), DAW (Dining Armchair Wooden) and RAR (Rocking Armchair Rod). The Eames chairs have an unmatched and immediately recognizable appeal. They are designed with comfort in mind and offer a perfect, timeless mix of form and function, between lightness and elegance. The Eames are still considered among the most influential figures in modern design.

The DAR chair (Dining Height Armchair Rod Base) stands out from the others for an unmistakable classic design that combines elegant shapes, light and structural strength in the complex formation in steel wire of its base called "Eiffel Tower", inspired by the famous Parisian icon. Available in many different color combination. You can customize the chair.

This rocking chair is molded in colored plastic and sits atop an innovative chrome-plated wire base and two arched maple beams that provide its delicate movement. The design of the seat is perfect for any type of environment and is perfectly suited to the daily lifestyle of all families.

The architects and designers Charles and Ray Eames designed La Chaise in 1948 for a competition at the Museum of Modern Art in New York, inspired by "FigureFloating", a sculpture by Gaston Lachaise.
La Chaise is a real "sitting sculpture" of great elegance and sinuosity, which allows numerous sitting positions depending on the different angles and inclinations of the posture. Its structure, of organic inspiration, creates sinuous lines and curves that determine a space of movement through which the viewer loses his gaze, imagining to move through the chair. The chair has long been established as a "classic icon" of organic and modern design.

The chair is inspired by the Beetle Lounge Chair. The Beetle Lounge Chair features a generous silhouette and a comfortable design. The armchair is a perfect icon for the design of a modern home. The design of the Beetle Lounge Chair reinterprets in an abstract way the fundamental and characteristic elements of the beetles: the shells, the shape, the stitches, the external rigid and the soft inside. The Beetle Lounge Chair, thanks to the wide range of colors, is ideal for creating an interior that matches your tastes and needs.

The chair swan, also known as 'Swan Chair', was built in 1958 for the luxurious Foyer des Radisson Royal hotel in Copenhagen. Together with the "Egg Chair", it belongs to the latest collection designed by the famous Arne Jacobsen. Already at that time it was recognized as an important modern furnishing object, given its highly innovative structure. It is still considered one of the most classic and important interior design objects of the entire twentieth century. The chair is devoid of straight lines but has only fluid curves, which give it a sensual and pleasant charm, almost like a human being. The padded structure rests on an aluminum star-shaped pedestal and is very resistant. The padding is available in different fabrics and types of leather. This exceptional creature designed by Jacobsen, given its peculiarity in the design world, is an integral part of the collection of the Museums of Modern Art in New York.

It is distinguished by its welcoming lines and its high backrest that create a shell, in fact an 'egg', inside which one feels protected from the eyes and protected. Chair egg is a chair designed by Arne Jacobsen in 1958 for the Radisson hotel in Copenhagen, Denmark. The chair was created according to the typical Jacobsen style ie using modern materials. The chair, which was an innovative revolution for that era, is made of a fiberglass cast structure with a polyurethane foam padding. The coating is then applied and laid on the structure assuming a perfect and sinuous shape.

It is distinguished by its welcoming lines and its high backrest that create a shell, in fact an 'egg', inside which one feels protected from the eyes and protected. The chair is a chair designed by Arne Jacobsen in 1958 for the Radisson hotel in Copenhagen, Denmark. The chair was created according to the typical Jacobsen style ie using modern materials. The chair, which was an innovative revolution for that era, is made of a fiberglass cast structure with a polyurethane foam padding. The coating is then applied and laid on the structure assuming a perfect and sinuous shape.

It is distinguished by its welcoming lines and its high backrest that create a shell, in fact an 'egg', inside which one feels protected from the eyes and protected. Egg chair is a chair designed by Arne Jacobsen in 1958 for the Radisson hotel in Copenhagen, Denmark. The chair was created according to the typical Jacobsen style ie using modern materials. The chair, which was an innovative revolution for that era, is made of a fiberglass cast structure with a polyurethane foam padding. The coating is then applied and laid on the structure assuming a perfect and sinuous shape.

The bench is a masterclass in complex curves, subtracted angles and spaces. The fluid and natural lines soften the corners without dissolving the defined contour associated with traditional sculptural forms. 'You can not say that the space found is not space. In reality it is chosen very carefully. "