The design of the armchair is created around the contrast between thick and thin, between the search for a thin line in contrast to a massive armchair. But despite everything light and light. The right adjective for this design armchair is therefore one: simplicity. The structure, sturdy and essential, is created with a painted steel tube on which a round-shaped seat composed of a cushion rests, slightly reminiscent of the idea of ??an inflatable module. Finally, the backrest is synonymous with comfort. The effect of the armchair is therefore graceful, round, voluminous and elegant, all seasoned with a touch of lightness.

The Lady armchair is an armchair designed by the designer Marco Zanuso in 1951 and produced by Cassina in 2015. The armchair immediately stands out for its very modern taste, at the time a real innovation for the field of home design and industry. The Lady is in fact the first armchair to have been made in different parts then assembled later. The steel legs are a certainty of solidity and stability of the armchair. Modernity, simplicity, elegance and refinement. A real icon of modern design for your living room.

The Chair is inspired by the Showtime Armchair model. The Showtime Armchair by Jaime Hayon is the result of a combination of upholstery and fiberglass, the gleam of lacquered wood and the tradition of fine ceramics. This armchair is a particularly unique product that combines contemporary materials with the traditional quilted seat and backrest element. The armchair is perfect for any environment, from the most formal to the most casual.

The chair is inspired by the Oculus Armchair model. In 1960, Hans Wegner designed this armchair with a refined and sculptural design. The armchair is called 'Oculus' which in Latin means eye and refers to the curved back of the chair which forms an eye in the upholstery. The armchair is formed by a spacious and wide padded backrest and wide armrests that offer an exceptional contrast with the slender stainless steel legs. The armchair is designed to be in the foreground in every living room, but works well paired. The chair is available with a footrest to add comfort and class.

This model is a revisitation of the Up5 series. Designed in 1969 by Gaetano Pesce, it represents one of the most sensational expressions of Radical Design. The Up5 armchair was conceived as a metaphor for the "woman with the ball and chain", a true cult piece of the 70s. The project plays on curvilinear and distinctive geometries that express the pop concept and personality. The Up5 armchair marks the perfect combination of art and design. The enveloping shape of the chair and the backrest seems to model itself around the body, seeking total integration with it. The armchair and pouf, placed one on top of the other, each reveal their own formal identity only if freed from the packaging, and create a perfectly calibrated and synergistic dialectical relationship. The seat is entirely made of polyurethane with a stretch fabric covering available in various chrome finishes.

The Little Albert by Ron Arad is a rotational-colored polyethylene armchair. The project presents a continuous stream of curved lines with an image shape drawn without ever removing the pencil from the paper. Initially it was a "donut" to provide inspiration for a sculpture: reworked and flattened, using irony to go beyond the usual approach to industrial design.

The stool is inspired by the Ottoman Archibald model. The Ottoman is part of the Archibald collection and completes the seat offering maximum comfort and relaxation thanks to its padding in polyurethane foam covered with eco-leather or leather.

Archibald is the modern expression of design and elegance and represents for those who observe it an invitation to meditation and relaxation. The structure of the seat and back is made of steel with a polyurethane foam padding and a molded expanded mold with polyester wadding in areas where you need more comfort. The elstache straps create an unnatural spring suspension that is great for relaxation. The base is made up of four cast aluminum feet and a tubular steel frame. The armchair expresses refinement, elegance and design and represents an icon in high-end homes.

The Archair is inspired by the Archibald Armchair High Backrest model. Archibald is the modern expression of design and elegance and represents for those who observe it an invitation to meditation and relaxation. The structure of the seat and back is made of steel with a polyurethane foam padding and a molded expanded mold with polyester wadding in areas where you need more comfort. The elstache straps create an unnatural spring suspension that is great for relaxation. The base is made up of four cast aluminum feet and a tubular steel frame. The armchair expresses refinement, elegance and design and represents an icon in high-end homes.

The armchair is inspired by Archibald model. Archibald is the modern expression of design and elegance and represents for those who observe it an invitation to meditation and relaxation. The structure of the seat and back is made of steel with a polyurethane foam padding and a molded expanded mold with polyester wadding in areas where you need more comfort. The elstache straps create an unnatural spring suspension that is great for relaxation. The base is made up of four cast aluminum feet and a tubular steel frame. The armchair expresses refinement, elegance and design and represents an icon in high-end homes.

The chair is inspired by the Wingback Chair P22 model. The P22 Patrick Norguet Wingback Armchair reinvents classic furniture for modern environments using a fusion of innovative industrial technology with an artisanal production. Patrick Norguet was awarded Designer of the Year in 2005 for his work with Van Cleef and Renault. The P22 follows the classic design traditions of the armchairs and re-elaborates them in a modern way. The legs and structure in cast aluminum support a comfortable and welcoming armchair and a curved backrest that invites the subject to relax in total privacy. The matching footrest is the ideal complement to complete the armchair.

Aki II is the result of a long process of development to create a versatile armchair that is at the same time unique in its kind and able to integrate even the most classic sofas. This armchair is a real celebration of softness and formal elegance. Aki II can radically change its appearance: from a single color, to an extremely bright or subtly elegant style to an elegant and refined total black.

The Lobster Armchair is an armchair with an ultra-modern design that with time will certainly become an icon of modern design. The project is designed to create intimacy and protection, with a beautiful and elegant wooden exoskeleton. The armchair is inspired by marine flora and offers a wonderful organic sensation. The matt chrome base gives a touch of style to the already unique look.

The chair is inspired by the Kubus Armchair model. The Kubus Armchair by Josef Hoffman expresses the passion that the designer possessed for the squared and cubic forms applied to interior design. The armchair is part, together with the sofa, of the Kubus series. It was built in 1918 and immediately became an icon of contemporary and modern design. The structure is full and elegant and the upholstered coverings create a perfect blend of luxury, comfort and design. The upholstery is made from individually stitched panels, to create that cubic and square look that characterizes the armchair.

The chair is inspired to the 181 Cloth Chair. The chair of Jehs and Laub is the highest expression of the expressive freedom of modern design. Its visual linearity gives way to a surprisingly cozy and soft structure when seated. Despite showing an almost fragile appearance, Cloth expresses a creative mix of functionality and minimalism. The comfort of the session is the result of continuous studies on human anatomy. Eye catching slits and cracks create the internal fiberglass frame with polyurethane foam padding.

Inspired by Metropolitan Armchair. The seats that run uninterrupted in the armrests are the hallmark of this armchair designed for relaxation. The Metropolitan rests on a four-spoke swivel aluminum base. The body then stretches and becomes slimmer to fully accept the anatomy of the person. The polotrna ends with an ideal headrest for total relaxation.

The armchair is the typical example of Scandinavian design. It is designed for total relaxation thanks to the comfort of the cushions, while the wooden structure gives strong stability. This model completely reflects the original design of 1952. The essential and refined design gives a touch of class to any modern furniture without affecting the essentiality of the spaces.

The model is inspired by Knoll Chair. The Knoll Florence chair is a rhythmic exhortation of the proportions and rhythm of modern architecture of the 50s. Heated through color and texture and with a geometric profile of replacement and a rationalist expression of the project, the Florence Knoll Armchiar is currently still extremely modern and absolutely timeless.

The armchair inspired by the Womb Chair has been designed with a rounded shape that wraps the body in a relaxing and comfortable embrace; the seat fits perfectly in both a modern and classic, industrial or minimal style. Its wide range of colors makes it possible to satisfy the various tastes while maintaining the unmistakable design that has made it an absolutely modern style icon.

The chair is inspired by the Bali Armchair. A small armchair, designed by Carlo Colombo, which interprets relaxation according to the most current concepts of contemporary aesthetics. A design that combines the formal lightness with the amplitude of proportions, underlined by the light metal structure.

The chair is inspired by Chair Five Star Model. The Eames Lounge Chair and Ottoman chair is a piece of furniture designed by Charles and Ray Eames for the Herman Miller furniture company. The Eames Lounge Chair and Ottoman, was produced in 1956 after years of development by the designers and became the first chair designed for a high-end market. The chair has a captivating and rich design, which implodes in its comfort and resolution. The leather of the chair is embraced by wood with ancient references revisited in an absolutely modern and avant-garde way, but with a touch of elegance and refinement. The chair is present in the permanent collection of the Museum of Modern Art in New York.

The chair is inspired by the Lounge Chair Silver. The Eames Lounge Chair and Ottoman chair is a piece of furniture designed by Charles and Ray Eames for the Herman Miller furniture company. The Eames Lounge Chair and Ottoman, was produced in 1956 after years of development by the designers and became the first chair designed for a high-end market. The chair has a captivating and rich design, which implodes in its comfort and resolution. The leather of the chair is embraced by wood with ancient references revisited in an absolutely modern and avant-garde way, but with a touch of elegance and refinement. The chair is present in the permanent collection of the Museum of Modern Art in New York.