The chair is inspired by the Oculus Armchair model. In 1960, Hans Wegner designed this armchair with a refined and sculptural design. The armchair is called 'Oculus' which in Latin means eye and refers to the curved back of the chair which forms an eye in the upholstery. The armchair is formed by a spacious and wide padded backrest and wide armrests that offer an exceptional contrast with the slender stainless steel legs. The armchair is designed to be in the foreground in every living room, but works well paired. The chair is available with a footrest to add comfort and class.

This model is a revisitation of the Up5 series. Designed in 1969 by Gaetano Pesce, it represents one of the most sensational expressions of Radical Design. The Up5 armchair was conceived as a metaphor for the "woman with the ball and chain", a true cult piece of the 70s. The project plays on curvilinear and distinctive geometries that express the pop concept and personality. The Up5 armchair marks the perfect combination of art and design. The enveloping shape of the chair and the backrest seems to model itself around the body, seeking total integration with it. The armchair and pouf, placed one on top of the other, each reveal their own formal identity only if freed from the packaging, and create a perfectly calibrated and synergistic dialectical relationship. The seat is entirely made of polyurethane with a stretch fabric covering available in various chrome finishes.

Aki II is the result of a long process of development to create a versatile armchair that is at the same time unique in its kind and able to integrate even the most classic sofas. This armchair is a real celebration of softness and formal elegance. Aki II can radically change its appearance: from a single color, to an extremely bright or subtly elegant style to an elegant and refined total black.

The chair is inspired to the 181 Cloth Chair. The chair of Jehs and Laub is the highest expression of the expressive freedom of modern design. Its visual linearity gives way to a surprisingly cozy and soft structure when seated. Despite showing an almost fragile appearance, Cloth expresses a creative mix of functionality and minimalism. The comfort of the session is the result of continuous studies on human anatomy. Eye catching slits and cracks create the internal fiberglass frame with polyurethane foam padding.

Inspired by Metropolitan Armchair. The seats that run uninterrupted in the armrests are the hallmark of this armchair designed for relaxation. The Metropolitan rests on a four-spoke swivel aluminum base. The body then stretches and becomes slimmer to fully accept the anatomy of the person. The polotrna ends with an ideal headrest for total relaxation.

The armchair is the typical example of Scandinavian design. It is designed for total relaxation thanks to the comfort of the cushions, while the wooden structure gives strong stability. This model completely reflects the original design of 1952. The essential and refined design gives a touch of class to any modern furniture without affecting the essentiality of the spaces.

The model is inspired by Knoll Chair. The Knoll Florence chair is a rhythmic exhortation of the proportions and rhythm of modern architecture of the 50s. Heated through color and texture and with a geometric profile of replacement and a rationalist expression of the project, the Florence Knoll Armchiar is currently still extremely modern and absolutely timeless.

The armchair inspired by the Womb Chair has been designed with a rounded shape that wraps the body in a relaxing and comfortable embrace; the seat fits perfectly in both a modern and classic, industrial or minimal style. Its wide range of colors makes it possible to satisfy the various tastes while maintaining the unmistakable design that has made it an absolutely modern style icon.

The chair is inspired by the Bali Armchair. A small armchair, designed by Carlo Colombo, which interprets relaxation according to the most current concepts of contemporary aesthetics. A design that combines the formal lightness with the amplitude of proportions, underlined by the light metal structure.