Eero Saarinen designs the fantastic Womb collection at the request of Florence Knoll for "a collection that looks like a basket full of cushions - something that could really curl up". This mid-century sofa is a classic of modern design and supports countless seating positions, to offer relaxation and comfort in total naturalness.

The design of this sofa has as its father Eero Aarnio. The body of this sofa is shaped to completely and completely accommodate the human anatomy. Its glass fiber coating ensures rigidity to the structure as well as adding a great captivating charm. This exceptional sofa was created to complete every type of environment in a sophisticated way.

The sofa is inspired by the Beetle sofa model. The Beetle sofa is characterized by a generous silhouette and a comfortable design. The sofa is perfect for relaxation and is perfect in every modern environment. The design of the Beetle sofa is inspired by the characteristic elements of the beetles: shells, shape, sutures, rigid external and soft inside. The wide choice of colors allows customization to meet all tastes in the most decorative and beautiful way possible.

The Little Albert by Ron Arad is a rotational-colored polyethylene armchair. The project presents a continuous stream of curved lines with an image shape drawn without ever removing the pencil from the paper. Initially it was a "donut" to provide inspiration for a sculpture: reworked and flattened, using irony to go beyond the usual approach to industrial design.

The stool is inspired by the Ottoman Archibald model. The Ottoman is part of the Archibald collection and completes the seat offering maximum comfort and relaxation thanks to its padding in polyurethane foam covered with eco-leather or leather.

Archibald is the modern expression of design and elegance and represents for those who observe it an invitation to meditation and relaxation. The structure of the seat and back is made of steel with a polyurethane foam padding and a molded expanded mold with polyester wadding in areas where you need more comfort. The elstache straps create an unnatural spring suspension that is great for relaxation. The base is made up of four cast aluminum feet and a tubular steel frame. The armchair expresses refinement, elegance and design and represents an icon in high-end homes.

The Archair is inspired by the Archibald Armchair High Backrest model. Archibald is the modern expression of design and elegance and represents for those who observe it an invitation to meditation and relaxation. The structure of the seat and back is made of steel with a polyurethane foam padding and a molded expanded mold with polyester wadding in areas where you need more comfort. The elstache straps create an unnatural spring suspension that is great for relaxation. The base is made up of four cast aluminum feet and a tubular steel frame. The armchair expresses refinement, elegance and design and represents an icon in high-end homes.

The armchair Archis is the modern expression of design and elegance and represents for those who observe it an invitation to meditation and relaxation. The structure of the seat and back is made of steel with a polyurethane foam padding and a molded expanded mold with polyester wadding in areas where you need more comfort. The elstache straps create an unnatural spring suspension that is great for relaxation. The base is made up of four cast aluminum feet and a tubular steel frame. The armchair expresses refinement, elegance and design and represents an icon in high-end homes.

Aki II is the result of a long process of development to create a versatile armchair that is at the same time unique in its kind and able to integrate even the most classic sofas. This armchair is a real celebration of softness and formal elegance. Aki II can radically change its appearance: from a single color, to an extremely bright or subtly elegant style to an elegant and refined total black.

The Lobster Armchair is an armchair with an ultra-modern design that with time will certainly become an icon of modern design. The project is designed to create intimacy and protection, with a beautiful and elegant wooden exoskeleton. The armchair is inspired by marine flora and offers a wonderful organic sensation. The matt chrome base gives a touch of style to the already unique look.

The chair is inspired by the Kubus Armchair model. The Kubus Armchair by Josef Hoffman expresses the passion that the designer possessed for the squared and cubic forms applied to interior design. The armchair is part, together with the sofa, of the Kubus series. It was built in 1918 and immediately became an icon of contemporary and modern design. The structure is full and elegant and the upholstered coverings create a perfect blend of luxury, comfort and design. The upholstery is made from individually stitched panels, to create that cubic and square look that characterizes the armchair.

The chair is inspired to the 181 Cloth Chair. The chair of Jehs and Laub is the highest expression of the expressive freedom of modern design. Its visual linearity gives way to a surprisingly cozy and soft structure when seated. Despite showing an almost fragile appearance, Cloth expresses a creative mix of functionality and minimalism. The comfort of the session is the result of continuous studies on human anatomy. Eye catching slits and cracks create the internal fiberglass frame with polyurethane foam padding.

Inspired by Metropolitan Armchair. The seats that run uninterrupted in the armrests are the hallmark of this armchair designed for relaxation. The Metropolitan rests on a four-spoke swivel aluminum base. The body then stretches and becomes slimmer to fully accept the anatomy of the person. The polotrna ends with an ideal headrest for total relaxation.

The armchair is the typical example of Scandinavian design. It is designed for total relaxation thanks to the comfort of the cushions, while the wooden structure gives strong stability. This model completely reflects the original design of 1952. The essential and refined design gives a touch of class to any modern furniture without affecting the essentiality of the spaces.

The model is inspired by Knoll Chair. The Knoll Florence chair is a rhythmic exhortation of the proportions and rhythm of modern architecture of the 50s. Heated through color and texture and with a geometric profile of replacement and a rationalist expression of the project, the Florence Knoll Armchiar is currently still extremely modern and absolutely timeless.

The armchair inspired by the Womb Chair has been designed with a rounded shape that wraps the body in a relaxing and comfortable embrace; the seat fits perfectly in both a modern and classic, industrial or minimal style. Its wide range of colors makes it possible to satisfy the various tastes while maintaining the unmistakable design that has made it an absolutely modern style icon.

The chair is inspired by the Bali Armchair. A small armchair, designed by Carlo Colombo, which interprets relaxation according to the most current concepts of contemporary aesthetics. A design that combines the formal lightness with the amplitude of proportions, underlined by the light metal structure.

Vertex is a set of tables and chairs with triangular tops that come together dynamically to create comfortable shapes suitable for dining rooms or meetings, banquets or classrooms and other occasional needs. The Vertex collection was designed to integrate a more conceptual architectural element into our space with a more sophisticated touch than the rest of the projects. Vertex seems to be sculpted from a single block of material, combining the structural part with the aesthetic part.

The chair is inspired by the Heart Chair model. One year after the creation of the Cone Chair, Verner Panton conceived this variant, which was called Heart Chair due to its heart shape. The widely protruding backrest should be interpreted as a modern evolution of the classic armchair with ears.

The chair is inspired by the Cone Chair model. The Cone Chair was originally designed for a Danish restaurant. It has the shape of a cone, a classical geometric figure from which the name derives. The seat rests on a revolving base in stainless steel. The shell is padded with a semicircle and extends upwards, creating the structure of the back and the armrests, thus giving life to a very comfortable armchair. Verner Panton, who designed it, established himself as a designer in the late 1950s. Panton anticipated some elements of Pop Art, at the same time combining elegance with Scandinavian modernism in the construction of the bases. The most famous projects in this series are the Cone Chair and the Heart Cone Chair.

Verner Panton was one of the most influential figures in the development of design in the '60s and' 70s. His experimental approach to shapes and colors, led the design to the widespread use of plastics, still little used at the time. Its purpose was to create a comfortable chair made in one piece that could be used anywhere. The result of this research is the Paton Chair: ergonomic, simple and elegant, suitable for any interior that demands refinement and plastic expression.

The chair is inspired by the Voido Chair model. Voido is a project by Ron Arad and is distinguished by the avant-garde design of its enveloping and harmonious shape. In particular, the curved and aesthetic line and the various colors make Voido a chair with a complete and elegant design.

The Chair is inspired by the Clover Chair model. Ron Arad's organic designs are perfectly expressed by the Clover Chair. The chair is characterized by a weatherproof polyethylene material and an inviting design that plays an important and fundamental role in the choice of the chair inside a home. In fact, the Clover Chair can be used both inside a table and outdoors in a grassy field.

The chair is inspired by Chair Five Star Model. The Eames Lounge Chair and Ottoman chair is a piece of furniture designed by Charles and Ray Eames for the Herman Miller furniture company. The Eames Lounge Chair and Ottoman, was produced in 1956 after years of development by the designers and became the first chair designed for a high-end market. The chair has a captivating and rich design, which implodes in its comfort and resolution. The leather of the chair is embraced by wood with ancient references revisited in an absolutely modern and avant-garde way, but with a touch of elegance and refinement. The chair is present in the permanent collection of the Museum of Modern Art in New York.

The chair is inspired by the Lounge Chair Silver. The Eames Lounge Chair and Ottoman chair is a piece of furniture designed by Charles and Ray Eames for the Herman Miller furniture company. The Eames Lounge Chair and Ottoman, was produced in 1956 after years of development by the designers and became the first chair designed for a high-end market. The chair has a captivating and rich design, which implodes in its comfort and resolution. The leather of the chair is embraced by wood with ancient references revisited in an absolutely modern and avant-garde way, but with a touch of elegance and refinement. The chair is present in the permanent collection of the Museum of Modern Art in New York.

The Ribbon chair is one of the most comfortable chairs ever. The contoured shape in bold allows the user to take a variety of positions while maintaining the necessary support. A professional and innovative vision on the well-known ribbon shape. A beautiful example of applied art, the ribbon is also one of the most beautiful chairs.

A design like Big Mushroom is something that comes out of time and the period in which the project was born. The design is large, soft, comfortable and highly inviting. Big Mushroom is a model that captures the attention and makes you want to curl up and enjoy it to the fullest. Subtle, organic and explicit, this great 'Mushroom' positively bursts into the design of the whole world as an extemporaneous and ageless object.

Inspired by the Monstera model. The designer Philip Ahlström, inspired by the feeling of flora and the famous Monstera leaf, creates this shiny chair with an inimitable design. The project, absolutely contemporary and alive, makes the chair a real art object based on futurism and naturalism, where art and nature merge into pure modernity.

The sculptural line of the Corona Chair by Poul Volther presents a unique and inimitable style. Volther designed this chair with a series of oval cushions that allow different positions to relax. The project was realized in 1961 and this interesting piece of furniture takes inspiration from some photos of solar eclipses. It also refers to the first design by Volther, which was based on the use of cushions, separated to emphasize the lack of materials available during the Second World War. This beautiful chair brings with it originality and comfort, a perfect mix in any modern and contemporary environment.

La Tabano Chair è una sedia progettata per il comfort e l'eleganza della casa. Le sue linee sinuose e gli ampi volumi del sedile e dello schienale creano libertà di espressione e raffinatezza. Le grandi orecchie nascono dall'esigenza di soddisfare i criteri funzionali e, quindi, il comfort che va oltre l'estetica. Le finiture possono variare nelle due parti, con l'esterno teso e il lato interno rilassato. La parte interna e la parte esterna della sedia sono ben definite, unite da una cerniera che corre lungo tutto il perimetro con finiture che prevedono anche un gioco di contrasti. Non dimentichiamo il poggiapiedi che ha una forma ovale e le fodere rivestite che ricordano quelle del sedile.

Aki is the result of a long process of development to create a versatile armchair that is at the same time unique in its kind and able to integrate even the most classic sofas. This seat is a real celebration of softness and formal elegance. Aki can radically change its appearance: from a single color, to an extremely bright or subtly elegant style to an elegant and refined total black.

The chair is inspired by the Brno Chair model. The Brno Chair is a modern cantilever chair designed by Ludwig Mies van der Rohe and Lilly Reich in 1929-1930 for the bedroom of the Tugendhat House in Brno, Czech Republic. The Brno Chair has become a classic of modern furniture. The project was born with very clean lines, with a steel frame in one piece, folded in the shape of C from the center of the back, around the front edge of the seat (to create the arms), and back under the seat to create a cantilever, with round seat and back covered in leather. There are two versions of the chair, one in flat steel and the other in tubular steel. The metal was originally made of polished stainless steel; some modern examples are chromed.

The model is inspired by The Barcelona Bench. The Barcelona Bench (two seat) was designed by the architect designer Mies Van der Rohe. This historic bench is a furnishing item that expresses refinement, elegance, class and comfort. It was designed in 1929 as a furnishing accessory for the German pavilion at the International Exhibition held in Barcelona. The pieces of this series would be used by the royal Spaniards for the memorial party of the palace, and they would have to act as a "throne". The design is direct and essential and follows the design line that Van der Rohe held throughout his career. The mix of fine leather and sparkling metal is perfect for any type of furniture and shows a particular elegance.

The Stool is inspired by the Ottoman Barcelona model. The Ottoman Barcelona (two seat) was designed by the architect-designer Mies Van der Rohe. This Ottoman historian is a furnishing item that expresses refinement, elegance, class and comfort. It was designed in 1929 as a furnishing accessory for the German pavilion at the International Exhibition held in Barcelona. The pieces of this series would be used by the royal Spaniards for the memorial party of the palace, and they would have to act as a "throne". The design is direct and essential and follows the design line that Van der Rohe held throughout his career. The mix of fine leather and sparkling metal is perfect for any type of furniture and shows a particular elegance.

The Ottoman Barcelona (one seat) was designed by the architect-designer Mies Van der Rohe. This Ottoman historian is a furnishing item that expresses refinement, elegance, class and comfort. It was designed in 1929 as a furnishing accessory for the German pavilion at the International Exhibition held in Barcelona. The pieces of this series would be used by the royal Spaniards for the memorial party of the palace, and they would have to act as a "throne". The design is direct and essential and follows the design line that Van der Rohe held throughout his career. The mix of fine leather and sparkling metal is perfect for any type of furniture and shows a particular elegance.

The Shrimp chair is an ultra-modern design that will surely become a contemporary classic. The intimacy in the shape of an egg is protected by a beautiful wooden exoskeleton. Inspired by natural marine life, the Shrimp chair offers a wonderful organic sensation. The matt chrome base offers a touch of style to the already unique look.