The chair is inspired by the Cone Chair model. The Cone Chair was originally designed for a Danish restaurant. It has the shape of a cone, a classical geometric figure from which the name derives. The seat rests on a revolving base in stainless steel. The shell is padded with a semicircle and extends upwards, creating the structure of the back and the armrests, thus giving life to a very comfortable armchair. Verner Panton, who designed it, established himself as a designer in the late 1950s. Panton anticipated some elements of Pop Art, at the same time combining elegance with Scandinavian modernism in the construction of the bases. The most famous projects in this series are the Cone Chair and the Heart Cone Chair.

Verner Panton was one of the most influential figures in the development of design in the '60s and' 70s. His experimental approach to shapes and colors, led the design to the widespread use of plastics, still little used at the time. Its purpose was to create a comfortable chair made in one piece that could be used anywhere. The result of this research is the Paton Chair: ergonomic, simple and elegant, suitable for any interior that demands refinement and plastic expression.

The chair is inspired by the Voido Chair model. Voido is a project by Ron Arad and is distinguished by the avant-garde design of its enveloping and harmonious shape. In particular, the curved and aesthetic line and the various colors make Voido a chair with a complete and elegant design.

The Chair is inspired by the Clover Chair model. Ron Arad's organic designs are perfectly expressed by the Clover Chair. The chair is characterized by a weatherproof polyethylene material and an inviting design that plays an important and fundamental role in the choice of the chair inside a home. In fact, the Clover Chair can be used both inside a table and outdoors in a grassy field.

The chair is inspired by Chair Five Star Model. The Eames Lounge Chair and Ottoman chair is a piece of furniture designed by Charles and Ray Eames for the Herman Miller furniture company. The Eames Lounge Chair and Ottoman, was produced in 1956 after years of development by the designers and became the first chair designed for a high-end market. The chair has a captivating and rich design, which implodes in its comfort and resolution. The leather of the chair is embraced by wood with ancient references revisited in an absolutely modern and avant-garde way, but with a touch of elegance and refinement. The chair is present in the permanent collection of the Museum of Modern Art in New York.

The chair is inspired by the Lounge Chair Silver. The Eames Lounge Chair and Ottoman chair is a piece of furniture designed by Charles and Ray Eames for the Herman Miller furniture company. The Eames Lounge Chair and Ottoman, was produced in 1956 after years of development by the designers and became the first chair designed for a high-end market. The chair has a captivating and rich design, which implodes in its comfort and resolution. The leather of the chair is embraced by wood with ancient references revisited in an absolutely modern and avant-garde way, but with a touch of elegance and refinement. The chair is present in the permanent collection of the Museum of Modern Art in New York.

The Ribbon chair is one of the most comfortable chairs ever. The contoured shape in bold allows the user to take a variety of positions while maintaining the necessary support. A professional and innovative vision on the well-known ribbon shape. A beautiful example of applied art, the ribbon is also one of the most beautiful chairs.

A design like Big Mushroom is something that comes out of time and the period in which the project was born. The design is large, soft, comfortable and highly inviting. Big Mushroom is a model that captures the attention and makes you want to curl up and enjoy it to the fullest. Subtle, organic and explicit, this great 'Mushroom' positively bursts into the design of the whole world as an extemporaneous and ageless object.

Inspired by the Monstera model. The designer Philip Ahlström, inspired by the feeling of flora and the famous Monstera leaf, creates this shiny chair with an inimitable design. The project, absolutely contemporary and alive, makes the chair a real art object based on futurism and naturalism, where art and nature merge into pure modernity.

The sculptural line of the Corona Chair by Poul Volther presents a unique and inimitable style. Volther designed this chair with a series of oval cushions that allow different positions to relax. The project was realized in 1961 and this interesting piece of furniture takes inspiration from some photos of solar eclipses. It also refers to the first design by Volther, which was based on the use of cushions, separated to emphasize the lack of materials available during the Second World War. This beautiful chair brings with it originality and comfort, a perfect mix in any modern and contemporary environment.

La Tabano Chair è una sedia progettata per il comfort e l'eleganza della casa. Le sue linee sinuose e gli ampi volumi del sedile e dello schienale creano libertà di espressione e raffinatezza. Le grandi orecchie nascono dall'esigenza di soddisfare i criteri funzionali e, quindi, il comfort che va oltre l'estetica. Le finiture possono variare nelle due parti, con l'esterno teso e il lato interno rilassato. La parte interna e la parte esterna della sedia sono ben definite, unite da una cerniera che corre lungo tutto il perimetro con finiture che prevedono anche un gioco di contrasti. Non dimentichiamo il poggiapiedi che ha una forma ovale e le fodere rivestite che ricordano quelle del sedile.

Aki is the result of a long process of development to create a versatile armchair that is at the same time unique in its kind and able to integrate even the most classic sofas. This seat is a real celebration of softness and formal elegance. Aki can radically change its appearance: from a single color, to an extremely bright or subtly elegant style to an elegant and refined total black.

The chair is inspired by the Brno Chair model. The Brno Chair is a modern cantilever chair designed by Ludwig Mies van der Rohe and Lilly Reich in 1929-1930 for the bedroom of the Tugendhat House in Brno, Czech Republic. The Brno Chair has become a classic of modern furniture. The project was born with very clean lines, with a steel frame in one piece, folded in the shape of C from the center of the back, around the front edge of the seat (to create the arms), and back under the seat to create a cantilever, with round seat and back covered in leather. There are two versions of the chair, one in flat steel and the other in tubular steel. The metal was originally made of polished stainless steel; some modern examples are chromed.

The model is inspired by The Barcelona Bench. The Barcelona Bench (two seat) was designed by the architect designer Mies Van der Rohe. This historic bench is a furnishing item that expresses refinement, elegance, class and comfort. It was designed in 1929 as a furnishing accessory for the German pavilion at the International Exhibition held in Barcelona. The pieces of this series would be used by the royal Spaniards for the memorial party of the palace, and they would have to act as a "throne". The design is direct and essential and follows the design line that Van der Rohe held throughout his career. The mix of fine leather and sparkling metal is perfect for any type of furniture and shows a particular elegance.

The Stool is inspired by the Ottoman Barcelona model. The Ottoman Barcelona (two seat) was designed by the architect-designer Mies Van der Rohe. This Ottoman historian is a furnishing item that expresses refinement, elegance, class and comfort. It was designed in 1929 as a furnishing accessory for the German pavilion at the International Exhibition held in Barcelona. The pieces of this series would be used by the royal Spaniards for the memorial party of the palace, and they would have to act as a "throne". The design is direct and essential and follows the design line that Van der Rohe held throughout his career. The mix of fine leather and sparkling metal is perfect for any type of furniture and shows a particular elegance.

The Ottoman Barcelona (one seat) was designed by the architect-designer Mies Van der Rohe. This Ottoman historian is a furnishing item that expresses refinement, elegance, class and comfort. It was designed in 1929 as a furnishing accessory for the German pavilion at the International Exhibition held in Barcelona. The pieces of this series would be used by the royal Spaniards for the memorial party of the palace, and they would have to act as a "throne". The design is direct and essential and follows the design line that Van der Rohe held throughout his career. The mix of fine leather and sparkling metal is perfect for any type of furniture and shows a particular elegance.

The Shrimp chair is an ultra-modern design that will surely become a contemporary classic. The intimacy in the shape of an egg is protected by a beautiful wooden exoskeleton. Inspired by natural marine life, the Shrimp chair offers a wonderful organic sensation. The matt chrome base offers a touch of style to the already unique look.

The Felt Chair was designed by Marc Newson for the acclaimed Italian design house Cappellini. This chair expresses all the creativity and genius of Marc Newson, who created a unique and functional project for any home. The chair, produced in fiberglass, is available in a wide range of colors, therefore able to adapt to any type of interior architecture.

The Wassily Chair, also known as the Model B3 chair, was designed by Marcel Breuer. In 1925 he was director of the wood workshop at the Bauhaus in Dessau. The B3 chair became a mass product in the sixties after Dino Gavina in 1962, after having met the Hungarian designer in New York, had convinced him to re-edit the tubular chair. When Gavina learned that Kandinsky had asked that the first specimen be destined for the living room of her apartment, she decided to produce it with the name Wassily. the chair is one of the major design icons of the twentieth century and is present in many museums in the world.

The Chair is inspired by Sort Lobster Shelley Chair. This chair expresses the best of Danish creativity. The structure is made of a protective wooden shell, with a rivet in leather or imitation leather inside. The seat adapts perfectly to the person, embracing it in a cloud of unrivaled relaxation and comfort. The chair is an icon of elegance and design that adapts to any type of environment, from the most sophisticated to the most casual and informal.

The PK22 chair immediately achieved immediate critical success. In 1957, the chair was awarded the Grand Prix at the Milan Triennale, the most important design fair in the world. The award has catapulted the career of Kjaerholm among the aragents of amggior success in the design world. The sturttura of the chair is formed from a base in steel on which settles a comfortable seat, studied to wrap and contain a person in total relax and comfort. The elegant and simple chair is still today a unique icon of modern design.

The chair is inspired by PK20 Chair model. The PK20 Rocking Chair is a chair with organic curves and a stable structure. The session was created following several experiments carried out with Poul Kjaerholm steel, exploiting its natural flexibility and strength. The elegant and comfortable body is supported only by the front legs, which give the chair an artistic and slender profile. The comfortable seat and its oscillating function guarantee absolute relaxation, enhanced by the padded pillow for the neck. The structure is strong and strong and represents a classic of modern design of the twentieth century.

The Chair is inspired by the Pelican Chair model. The Pelican armchair is an exceptional seat that stands out for its enveloping and particular back with rounded and soft shapes. The porgetto was made almost 80 years ago by Finn Juhl and is part of a series of products created by the Danish designer for an exhibition. With its captivating and particular design, the Pelican chair is still today a splendid and current design object inspired by the "free art" of the modern era.

Farg and Blanche created the Emily chair for dining or conference tables. The back of the chair creates curves around the seat to form the arms. The padding is quilted in divided sections that give life to a simple but elegant pattern on both sides of the back support. The legs in solid ash come out of the stuffing from the short sleeves of material under the seat. Its essential and elegant design combined with simplicity make the Emily chair a fragment of history in contemporary and modern design.

The him-her chair designs are made on the figure of a man and on that of a woman The polyethylene with which they are made makes them even suitable for outdoor use, as they are solid and resistant chairs. The two naked bodies are harmonious and elegant models of seduction. Him and Her are furnishings loaded with a high cultural reach, yet they are not burdened. These chairs are a particular icon of contemporary design where the cultural aspect joins the formal one, in a perfect mix between harmoniousness and plastic elegance.

Eileen Gray designs this chair inspired by the famous "little man Michelin" of the inflated tires "Bibendum", which remains the Michelin brand. Gray often joked that this was his response as a feminist to Le Corbusier's Grand Confort. The base of the chair is in glossy chromed tubular steel. The seat, the backrest and the armrests are completely covered in eco-leather or leather of various colors.

The Tulip Chair has been project to counter the "ugly, confusing, restless world" under chairs and tables, represented in particular by their legs. He therefore leads a long design investigation that lasts about five years which leads him to the revolutionary Pedestal collection which includes the Tulip chair. The chair is a classic design icon and is characterized by the famous goblet shape with a single central stem for the base.

The Tomato Chair at first glance seems complicated, but in reality, after careful analysis, there is a perfect combination of three circles with the same diameter, two of which are armrests, one extended on a comfortable back and even a fourth semi-circle facing downwards which gives the chair a consequent place. All these features define the Tomato Chair no longer as a chair but rather as a modern sculpture of absolute charm and modernity.

The design of the Bubble chair was created for the first time in 1968 and features a transparent bubble seat suspended from a stainless steel support. Inside the bubble there are luxurious ideals for relaxation or to meditate in complete isolation. The project is designed to exclude sound and is designed to create privacy and comfort. Bubble Chair is a classic of modern design that creates an immediate impact in the home environment, immediately giving a touch of modernity and elegance.

The Eyeball has an unconventional shape and construction, perfect for soundproofing, for sitting or reading a book. Its similar shape is similar to a room and the padded interiors cancel most of the outside noise, offering an isolated and relaxing environment, ideal for meditation or simply to get away from it all. The design of this chair represents a global icon of modern design. The wide choice of colors is suitable for every formal need of your environment.

This class chair is an inspiration of the project by Eero Aarnio. The shell of this Pod chair is designed to comfortably accommodate a person. Its glass fiber frame enriches the appeal of the project and makes it even more pleasant and captivating, increasing its rigidity and durability over time. The soft seat, available in eco-leather and leather, adds further comfort. This splendid is perfect in the living rooms of every modern home but it also features perfectly in theaters, hotel halls and in all the sophisticated and elegant environments.

The Formula Chair, slightly swinging back and forth, is perfect for a comfortable and relaxing session. The idea of the project is easy: "Looking at a Formula 1 car from the top there are two very large" armrests "on both sides of the driver, and looking at one side there is a high headrest. the wheels, what remains is clearly a FORMULA One chair. " The Formula Chair is made of fiberglass and is available in different colors.

The chair is inspired by the Ball model. The Ball Chair, despite having an absolutely futuristic design, was created back in 1963. Its exceptional shape is the result of a perfect mix of size and formal balance. Aarnio begins the construction of the chair in 1962 in the living room of the house. The Aarnio family, just moved into a new house, needed a chair that was large, comfortable and elegant, so Eero Aarnio designed the Ball Chair. He began by designing a normal chair and as the project simplified the shape, it was slowly reduced to a sphere. The designer then hung a one-by-one drawing on the wall and began to imagine how he would find himself inside the armchair. He therefore pretended to sit down and his wife marked the position of her head with a pencil so that she could determine the height of the seat. The project went ahead and the other measures, by virtue of the circular form, came as a result. The Ball Chair is certainly one of the major icons of modern design and is still a unique and inimitable piece perfect for any modern furniture thanks to the wide choice of colors available.

Its sculptural design, ideal for a reading armchair, was a vanguard project. Unfortunately, for reasons related to manufacturing techniques, the chair never went into production. Only after 1950 it was possible to mass-produce and market shells of organic form, such as those of the famous Plastic Armchair by Charles and Ray Eames or the Saarinen Tulip Chair.

The 'chaise' is made following essential shapes that create a curved seat and an oval footrest. The rusiltato of all this is a light line that is imposed in space for great expressive force. The seat is made of thermoplastic material with rotational technique. It adapts perfectly to a living area, a sleeping area and even an exterior. The seat is completed by a beautiful oval footrest that invites you to a more relaxing position and that can also live alone as a pouf.

The 'Eiffel Tower' base of the DSR (Dining Height Side Chair Rod Base) chair, an intricate and graceful construction in steel wire, combines light and elegant shapes with a structural resistance. The organic-shaped plastic seat is available in various colors and coating options, allowing this classic Charles and Ray Eames badge to adapt to a wide range of individual needs and preferences.