The chair is inspired by the Lounge Chair Silver. The Eames Lounge Chair and Ottoman chair is a piece of furniture designed by Charles and Ray Eames for the Herman Miller furniture company. The Eames Lounge Chair and Ottoman, was produced in 1956 after years of development by the designers and became the first chair designed for a high-end market. The chair has a captivating and rich design, which implodes in its comfort and resolution. The leather of the chair is embraced by wood with ancient references revisited in an absolutely modern and avant-garde way, but with a touch of elegance and refinement. The chair is present in the permanent collection of the Museum of Modern Art in New York.

The Ribbon chair is one of the most comfortable chairs ever. The contoured shape in bold allows the user to take a variety of positions while maintaining the necessary support. A professional and innovative vision on the well-known ribbon shape. A beautiful example of applied art, the ribbon is also one of the most beautiful chairs.

The sculptural line of the Corona Chair by Poul Volther presents a unique and inimitable style. Volther designed this chair with a series of oval cushions that allow different positions to relax. The project was realized in 1961 and this interesting piece of furniture takes inspiration from some photos of solar eclipses. It also refers to the first design by Volther, which was based on the use of cushions, separated to emphasize the lack of materials available during the Second World War. This beautiful chair brings with it originality and comfort, a perfect mix in any modern and contemporary environment.

La Tabano Chair è una sedia progettata per il comfort e l'eleganza della casa. Le sue linee sinuose e gli ampi volumi del sedile e dello schienale creano libertà di espressione e raffinatezza. Le grandi orecchie nascono dall'esigenza di soddisfare i criteri funzionali e, quindi, il comfort che va oltre l'estetica. Le finiture possono variare nelle due parti, con l'esterno teso e il lato interno rilassato. La parte interna e la parte esterna della sedia sono ben definite, unite da una cerniera che corre lungo tutto il perimetro con finiture che prevedono anche un gioco di contrasti. Non dimentichiamo il poggiapiedi che ha una forma ovale e le fodere rivestite che ricordano quelle del sedile.

The chair is inspired by the Brno Chair model. The Brno Chair is a modern cantilever chair designed by Ludwig Mies van der Rohe and Lilly Reich in 1929-1930 for the bedroom of the Tugendhat House in Brno, Czech Republic. The Brno Chair has become a classic of modern furniture. The project was born with very clean lines, with a steel frame in one piece, folded in the shape of C from the center of the back, around the front edge of the seat (to create the arms), and back under the seat to create a cantilever, with round seat and back covered in leather. There are two versions of the chair, one in flat steel and the other in tubular steel. The metal was originally made of polished stainless steel; some modern examples are chromed.

The model is inspired by The Barcelona Bench. The Barcelona Bench (two seat) was designed by the architect designer Mies Van der Rohe. This historic bench is a furnishing item that expresses refinement, elegance, class and comfort. It was designed in 1929 as a furnishing accessory for the German pavilion at the International Exhibition held in Barcelona. The pieces of this series would be used by the royal Spaniards for the memorial party of the palace, and they would have to act as a "throne". The design is direct and essential and follows the design line that Van der Rohe held throughout his career. The mix of fine leather and sparkling metal is perfect for any type of furniture and shows a particular elegance.

The Stool is inspired by the Ottoman Barcelona model. The Ottoman Barcelona (two seat) was designed by the architect-designer Mies Van der Rohe. This Ottoman historian is a furnishing item that expresses refinement, elegance, class and comfort. It was designed in 1929 as a furnishing accessory for the German pavilion at the International Exhibition held in Barcelona. The pieces of this series would be used by the royal Spaniards for the memorial party of the palace, and they would have to act as a "throne". The design is direct and essential and follows the design line that Van der Rohe held throughout his career. The mix of fine leather and sparkling metal is perfect for any type of furniture and shows a particular elegance.

The Ottoman Barcelona (one seat) was designed by the architect-designer Mies Van der Rohe. This Ottoman historian is a furnishing item that expresses refinement, elegance, class and comfort. It was designed in 1929 as a furnishing accessory for the German pavilion at the International Exhibition held in Barcelona. The pieces of this series would be used by the royal Spaniards for the memorial party of the palace, and they would have to act as a "throne". The design is direct and essential and follows the design line that Van der Rohe held throughout his career. The mix of fine leather and sparkling metal is perfect for any type of furniture and shows a particular elegance.

The Shrimp chair is an ultra-modern design that will surely become a contemporary classic. The intimacy in the shape of an egg is protected by a beautiful wooden exoskeleton. Inspired by natural marine life, the Shrimp chair offers a wonderful organic sensation. The matt chrome base offers a touch of style to the already unique look.

The Wassily Chair, also known as the Model B3 chair, was designed by Marcel Breuer. In 1925 he was director of the wood workshop at the Bauhaus in Dessau. The B3 chair became a mass product in the sixties after Dino Gavina in 1962, after having met the Hungarian designer in New York, had convinced him to re-edit the tubular chair. When Gavina learned that Kandinsky had asked that the first specimen be destined for the living room of her apartment, she decided to produce it with the name Wassily. the chair is one of the major design icons of the twentieth century and is present in many museums in the world.

The Chair is inspired by Sort Lobster Shelley Chair. This chair expresses the best of Danish creativity. The structure is made of a protective wooden shell, with a rivet in leather or imitation leather inside. The seat adapts perfectly to the person, embracing it in a cloud of unrivaled relaxation and comfort. The chair is an icon of elegance and design that adapts to any type of environment, from the most sophisticated to the most casual and informal.

The PK22 chair immediately achieved immediate critical success. In 1957, the chair was awarded the Grand Prix at the Milan Triennale, the most important design fair in the world. The award has catapulted the career of Kjaerholm among the aragents of amggior success in the design world. The sturttura of the chair is formed from a base in steel on which settles a comfortable seat, studied to wrap and contain a person in total relax and comfort. The elegant and simple chair is still today a unique icon of modern design.

The chair is inspired by PK20 Chair model. The PK20 Rocking Chair is a chair with organic curves and a stable structure. The session was created following several experiments carried out with Poul Kjaerholm steel, exploiting its natural flexibility and strength. The elegant and comfortable body is supported only by the front legs, which give the chair an artistic and slender profile. The comfortable seat and its oscillating function guarantee absolute relaxation, enhanced by the padded pillow for the neck. The structure is strong and strong and represents a classic of modern design of the twentieth century.

Eileen Gray designs this chair inspired by the famous "little man Michelin" of the inflated tires "Bibendum", which remains the Michelin brand. Gray often joked that this was his response as a feminist to Le Corbusier's Grand Confort. The base of the chair is in glossy chromed tubular steel. The seat, the backrest and the armrests are completely covered in eco-leather or leather of various colors.

The design of the Bubble chair was created for the first time in 1968 and features a transparent bubble seat suspended from a stainless steel support. Inside the bubble there are luxurious ideals for relaxation or to meditate in complete isolation. The project is designed to exclude sound and is designed to create privacy and comfort. Bubble Chair is a classic of modern design that creates an immediate impact in the home environment, immediately giving a touch of modernity and elegance.

The chair is inspired by the Ball model. The Ball Chair, despite having an absolutely futuristic design, was created back in 1963. Its exceptional shape is the result of a perfect mix of size and formal balance. Aarnio begins the construction of the chair in 1962 in the living room of the house. The Aarnio family, just moved into a new house, needed a chair that was large, comfortable and elegant, so Eero Aarnio designed the Ball Chair. He began by designing a normal chair and as the project simplified the shape, it was slowly reduced to a sphere. The designer then hung a one-by-one drawing on the wall and began to imagine how he would find himself inside the armchair. He therefore pretended to sit down and his wife marked the position of her head with a pencil so that she could determine the height of the seat. The project went ahead and the other measures, by virtue of the circular form, came as a result. The Ball Chair is certainly one of the major icons of modern design and is still a unique and inimitable piece perfect for any modern furniture thanks to the wide choice of colors available.

The Beetle Stool follows the same creative concepts as the Beetle Lounge Chair. The characteristics are a generous and slender silhouette with and a comfortable design. Also the Beetle Stool reinterprets in an abstract way the fundamental and characteristic elements of the beetles: the shells, the shape, the stitches, the external rigid and the soft indoor.

The chair is inspired by the Beetle Lounge Chair. The Beetle Lounge Chair features a generous silhouette and a comfortable design. The armchair is a perfect icon for the design of a modern home. The design of the Beetle Lounge Chair reinterprets in an abstract way the fundamental and characteristic elements of the beetles: the shells, the shape, the stitches, the external rigid and the soft inside. The Beetle Lounge Chair, thanks to the wide range of colors, is ideal for creating an interior that matches your tastes and needs.

The chair swan, also known as 'Swan Chair', was built in 1958 for the luxurious Foyer des Radisson Royal hotel in Copenhagen. Together with the "Egg Chair", it belongs to the latest collection designed by the famous Arne Jacobsen. Already at that time it was recognized as an important modern furnishing object, given its highly innovative structure. It is still considered one of the most classic and important interior design objects of the entire twentieth century. The chair is devoid of straight lines but has only fluid curves, which give it a sensual and pleasant charm, almost like a human being. The padded structure rests on an aluminum star-shaped pedestal and is very resistant. The padding is available in different fabrics and types of leather. This exceptional creature designed by Jacobsen, given its peculiarity in the design world, is an integral part of the collection of the Museums of Modern Art in New York.